It's been a long time since I've been motivated to venture out and see a thriller in the theaters but this film lived up to the hype and more.
Smartly acted, well written, timely, and meaningful. In other words not the usual Hollywood pablum starring Nick Cage.
I also highly recommend the director's other recent film "City of God".
The Rolling Stone review
Quote:
This late-August release comes in the nick of time to prove a point: Movies that give a damn do have a place in summer.
Director Fernando Meirelles, justly Oscar nominated for 2003's City of God (set in the slums of his native Brazil), again performs visual miracles that resonate with feeling. He and screenwriter Jeffrey Caine put a human face on John le Carre's novel of sex, lies and dirty politics in modern Africa. Prepare for a thrilling ride.
Ralph Fiennes meets all the challenges of playing Justin Quayle, a British diplomat in Kenya who would rather tend his garden than deal with the difficult questions he's asked by Tessa Abbott (Rachel Weisz). She's a firebrand activist who thinks the Brit higher-ups, led by Bernard Pellegrin (Bill Nighy), are in league with a pharmaceutical company to use suffering Africans as guinea pigs for drug experiments. Justin is a little scared by Tessa and a lot attracted.
That this eventual marriage of opposites works is mostly due to a tacit agreement that Justin will turn a blind eye to Tessa's relentless goading of Her Majesty's operatives. But when she dies in an alleged car accident, Justin's eyes are slowly opened. Rumors fly that Tessa had been getting it on with the African doctor (Hubert Kounde) who died with her. Justin's jealousy is fueled by his Iago-ish colleague (Danny Huston). Flashbacks of the couple -- in and out of bed -- allow for several teasing points of view.
The movie kicks in hard as a thriller when Justin takes up Tessa's cause. He travels to London, Berlin and Nairobi, risking his career and his life to uncover a political conspiracy that might also reveal the truth about his wife. It's a love story between a man and a ghost, and Fiennes and Weisz give every gesture and glance a haunting erotic urgency. The underrated Weisz is electrifying in her richest role to date. And Fiennes plays this reluctant hero like a gathering storm, his performance growing in power as passivity ceases to be an option. His embrace of Africa, which Meirelles and his gifted cinematographer, Cesar Charlone, present as a stinging rebuke to global indifference, is his embrace of Tessa. In negotiating the slippery slope of political and personal commitment, Meirelles emerges with one of the year's best and most provocative movies. Long after it's over, you still feel its sting.
PETER TRAVERS
(Posted Aug 11, 2005)
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Read the book when it first came out....very good. Gotta get to the movie. Thanks for the word,
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Saw it a couple of weekends ago. ODB and I rarely see movies, usually only family movies when we do but we've had 2 weekends that we had time to go see a movie. One weekend it was 40-year old Virgin and the next it was Constant Gardener. Though Virgin had me laughing so hard I cried, the Constant Gardener was an excellent way to go 180 from that experience. The style of filming in the beginning made me a bit dizzy. What do you know? Someone made a thriller with little blood, no guts, and characters that weren't cussing every 5 seconds. I wasn't a Le Carre fan before but I might have to go back and read some of his stuff now to see if I can appreciate it. It is a rare movie that not only entertains but inspires introspection and sense of global reality that this one does. 2 thumbs up IMHO
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Awesome film. My wife and I saw it two weekends ago on our first date in months (have a 3-month old son).
The theater was sold out, and when the final credits rolled, there was total silence. Nobody moved for quite a while. Finally, there were whispers, such as "Was that a true story?" and "Whoa."
I echo ODBGIRL -- so nice to see a film that doesn't go for the gore. In this case the violence is always just offscreen, which makes the impact even greater.
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